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Showing posts with label Dee Dee Bridgewater. Show all posts
Showing posts with label Dee Dee Bridgewater. Show all posts

Friday, July 7, 2017

Buddy Guy's F-bombs, Afro-Cuban piano explosion, the Pizzarelli family and more

ROLLING: Acrobats, street performers and musicians entertain the crowd during the 11-day International Jazz Festival in Montreal.


By VICTOR E. SASSON
EDITOR

MONTREAL -- Buddy Guy, often called the greatest living electric blues guitarist, will turn 81 at the end of the month, so you can imagine my surprise when he dropped several F-bombs during his concert last week.

At the 38th International Jazz Festival, Guy and his band headlined a triple bill that included fellow American Charlie Musselwhite, the electric blues harmonica player.

Guy performed until midnight, at one point walking the long aisles of the nearly 3,000-seat Salle Wilfred-Pelletier, stopping to play his cordless electric guitar for my wife and other audience members, and handing out Buddy Guy guitar picks.

On stage, his long blues runs on the guitar were punctuated by F-this and F-that as he related major points in his career, and how bluesman Muddy Waters discovered him in Chicago.

Michael Bourne, who was broadcasting from Montreal for Newark-based WBGO-FM (Jazz 88), said in an email he can't play Guy's live recordings on air anymore for fear of the F-bombs.


VIDEO: Bluesman Buddy Guy left the stage and walked the aisles playing his cordless electric guitar. To see the video, click here.


11-day festival

Guy was arguably the biggest name in blues and jazz at an 11-day festival that lacked its usual stellar lineup.

At past festivals in this French-speaking city, I heard jazz singers Gregory Porter, Dee Dee Bridgewater, Dianne Reeves and Jamie Cullum, but all of them were absent this year.

Even Canada's own jazz pianist and singer, Diana Krall, was a no-show.



BLUE EYES AND BILLY: On July 3, the John Pizzarelli Quartet and jazz singer Catherine Russell responded to a roar of approval from the audience with three encores. They performed songs associated with Frank Sinatra and Billy Holiday.
ALL IN THE FAMILY: On July 4, Pizzarelli was joined by his wife, singer Jessica Molaskey; and daughter, Medeline Pizzarelli, 19, right, an accomplished singer and guitarist. They performed songs of Paul McCartney and Joni Mitchell. 
VIVA CUBA: On July 2, we managed to get two balcony seats at the sold-out concert of Roberto Fonseca, another in the line of great Afro-Cuban pianists from the biggest island in the Caribbean.


More highlights

I also enjoyed the explosive Afro-Cuban jazz piano of Roberto Fonseca, and two concerts by American jazz guitarist John Pizzarelli, who sang and backed singer Catherine Russell one night, and his wife and daughter the next evening.

Of course, the Pizzarelli family is full of talent, including patriarch Bucky Pizzarelli, 91, the American jazz guitarist who was born in Paterson, N.J.

I especially liked John Pizzarelli's recollections of his first meetings with Frank Sinatra and Paul McCartney.

"Eat something, you don't look so good," he recalled Sinatra telling him.

The festival ends on Saturday, when 30 free and ticketed concerts are scheduled.




FREE ELVIS: On July 1, when we couldn't get tickets to the sold-out Gipsy Kings concert, we settled for a free performance by Les Bluebell Sisters' Heartbreak Hotel -- the group sang Elvis Presley songs.
BE-BOP QUARTET: We did better at another free performance, this one by The Silveresque Quartet from Universite Laval, and one of the band's guests, a talented singer whose name I didn't catch, below.
 
SO LAST CENTURY: Festival organizers boast that two-thirds of the 500 concerts over the 11 days are free, but this group at Club Jazz Casino, above, turned me off with music that sounded at least a century old.


Friday, June 30, 2017

The world's greatest jazz festival is in real danger of slipping off of its lofty perch

NOISE FEST: The official guidebook to the 38th International Jazz Festival in Montreal describes Xenia Rubinos, above and below, as an "American diva" with "a voice utterly unique," but all she did at Le Club on Thursday night was to scream words over two other musicians and do herky-jerky dancing in a highly amplified performance that left me cold.




By VICTOR E. SASSON
EDITOR

MONTREAL -- I won't bore you with the list of great jazz singers and musicians I've seen in the five years we've been attending the International Jazz Festival in this French-Canadian city.

But on Thursday night, I saw the worst performance by a singer ever -- and that includes all of the shows and concerts I've attended in the past 50 years.

Now in its 38th year, Montreal's jazz festival has long been considered the world's greatest.

The 11-day party began on Wednesday and will run through July 8, offering more than 500 concerts -- two-thirds of them free -- and nearly 3,000 musicians from around the world.

Even though the "jazz" festival developed years ago into a world music festival, the noisy performance by singer Xenia Rubinos on Thursday night defies all classification -- except to say it was just awful. 

She shouted to be heard above two other musicians, but most of her words were incomprehensible, and her herky-jerky dancing wasn't even sexy, as my wife pointed out. 

Early in her set, she shouted, "I know this is a jazz festival ..., but do your own thing." 

Then she jumped off the stage, and climbed back on.


Big names absent

This year's program is missing most of the great jazz singers I've seen in Montreal in the past, including Gregory Porter, Dee Dee Bridgewater, Dianne Reeves, and English pop and jazz singer Jamie Cullum.

And although this year is the 100th anniversary of the birth of Ella Fitzgerald, Montreal somehow missed the opportunity to put on a special show to honor her and her collaboration with Louis Armstrong.

I saw an Ella and Louis Tribute Band at the French Quarter Festival in New Orleans in April that would have been a perfect fit here. 

So, I have to wonder how long this jazz festival will be able to hold onto the title of world's greatest.


GIVE ME SHELTER: Lounge Heineken is the only venue for free concerts that provides shelter from the elements, especially important this year, when rain is forecast through the weekend. Showers also fell on Thursday.
SOGGY SOUNDS: On Thursday night, only a couple of hundred hearty souls stood in the rain to see a free concert on one of the main outdoor stages in Montreal's Quarter of Spectacles.

 Details

Montreal's International Jazz Festival runs through July 8. Website: Jazz Me Blues